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TK60, TK61 & TK62 capsule set picture

TK60, TK61 & TK62 capsule set

USD$ 525.00
Item is available.
Item # TK60, 61 & 62 capsule set
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Description

TK60 cardioid, TK61 omni & TK62 hyper-cardioid capsule set for ELA M 260 or the M60 FET microphone

TK60 Cardioid Capsule

The TELEFUNKEN TK60 is a small diaphragm cardioid capsule used with the ELA M 260 tube microphone and the M60 FET microphone. Featuring a 6-micron gold-sputtered membrane measuring 15mm in diameter, the TK60 has a surprisingly full low end for a small diaphragm capsule, and offers a quick and accurate transient response. These small diaphragm capsules are tested to a strict ±1dB sensitivity tolerance. The frequency response is flat from 150 Hz to 7 kHz, with a smooth, airy presence peak at 8 kHz making it ideal for drum overheads, acoustic guitar, and other acoustic instruments.

TK61 Omni Capsule

The TELEFUNKEN TK61 is a small diaphragm omnidirectional capsule used with the ELA M 260 tube microphone and the M60 FET microphone. Featuring a 6-micron gold-sputtered membrane measuring 15mm in diameter, the TK61 offers a large, open sound perfect for capturing the subtle nuances and space of your recording environment. The frequency response is flat from 20 Hz to 5 kHz, with a smooth, airy presence peak at 8 kHz. These small diaphragm capsules are tested to a strict ±1dB sensitivity tolerance. When used with the diffuse field spheres in the ELA M 260 Tri-Mono system, the TK61 omnidirectional capsule captures the ambience and vibe of your room to breathe life into any recording.

TK62 Hyper-Cardioid Capsule

The TELEFUNKEN TK62 is a small diaphragm hyper-cardioid capsule used with the ELA M 260 tube microphone and the M60 FET microphone. Featuring a 6-micron gold-sputtered membrane measuring 15mm in diameter, the TK62 provides a wide cardioid pattern flat in response from 150 Hz to 3 kHz, with a dip at 6 kHz and a smooth, airy presence peak at 8 kHz. These small diaphragm capsules are tested to a strict ±1dB sensitivity tolerance. This tightened polar pattern is great for use on cymbals, percussion, and as a stereo pair for live performance recording, as used in the ELA M 260 Field Set.